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Ebook Table Of Contents

LIST OF ILLUSTRATIONS
 
PRELUDE
 
IGNACE JAN PADEREWSKI
 
ERNEST SCHELLING.....The Hand of a Pianist
 
ERNESTO CONSOLO.....Making the Piano a Musical Instrument
 
SIGISMOND STOJOWSKI.....Mind in Piano Study
 
RUDOLPH GANZ.....Conserving Energy in Piano Practise
 
TINA LERNER.....An Audience the Best Teacher
 
ETHEL  LEGINSKA.....Relaxation  the  Keynote  of  Modern  Piano
Playing
 
BERTHA FIERING TAPPER.....Mastering Piano Problems
 
CARL M. ROEDER.....Problems of Piano Teachers
 
KATHARINE GOODSON.....An Artist at Home
 
MARK HAMBOURG.....Form, Technic, and Expression
 
TOBIAS MATTHAY.....Watching the Artist Teacher at Work
 
HAROLD BAUER.....The Question of Piano Tone
 
A VISIT TO RAOUL PUGNO.....Training the Child
 
THUEL BURNHAM.....The "Melody" and "Coloratura" Hand
 
EDWIN HUGHES.....Some Essentials of Piano Playing
 
FERRUCCIO BUSONI.....An Artist at Home
 
ADELE AUS DER OHE
 
ELEANOR SPENCER.....More Light on Leschetizky's Ideas
 
ARTHUR  HOCHMAN.....How  the  Pianist  Can  Color  Tone  with
Action and Emotion
 
TERESA CARREÑO.....Early Technical Training
 
WILHELM BACHAUS.....Technical Problems Discussed
 
ALEXANDER LAMBERT.....American and European Teachers
 
 

FANNIE BLOOMFIELD ZEISLER.....The Scope of Piano Technic
 
AGNES MORGAN.....Simplicity in Piano Teaching
 
EUGENE HEFFLEY.....Modern Tendencies
 
GERMAINE SCHNITZER.....Modern Methods in Piano Study
 
OSSIP GABRILOWITSCH.....Characteristic Touch on the Piano
 
HANS
VON
BÜLOW
AS
TEACHER
AND
INTERPRETER.....Teacher and Interpreter
 
HINTS
ON
INTERPRETATION
FROM
TWO
AMERICAN
TEACHERS
 
VITAL POINTS IN PIANO PLAYING.....
 
SECTION II.....Hand Position, Finger Action, and Artistic Touch
 
SECTION III.....The Art of Practise
 
SECTION IV.....How to Memorize
 
SECTION V.....Rhythm and Tone Color in Piano Playing

Ebook Sample Content Preview

One of the most consummate masters of the piano at the present time is Ignace Jan
Paderewski. Those who were privileged to hear him during his first season in this
country will never forget the experience. The Polish artist conquered the new world
as he had conquered the old; his name became a household word, known from coast
to coast; he traveled over our land, a Prince of Tones, everywhere welcomed and
honored. Each succeeding visit deepened the admiration in which his wonderful art
was held.

The question has often been raised as to the reason of Paderewski's remarkable hold
on  an  audience;  wherein  lay  his  power  over  the  musical  and  unmusical  alike.
Whenever he played there was always the same intense hush over the listeners, the
same absorbed attention, the same spell.

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